The Girl from the Moon

The Girl from the Moon is two stories: one for children and one for adults. My confidence to create a richer sequel of layered meanings with more serious themes comes from the dramatic success of The Boy from the Sun. Children and adults have responded to that story far better than I could have hoped. I've seen grown adults burst into tears when reading the story, and I've heard from parents and children that this is their favourite picture book, read repeatedly.

The Girl from the Moon is inspired by ideas from the controversial art historian Alan Gowans. He compared the early growth of a child's mind to that of the entire human race, witnessed as evidence in ancient artifacts. He also claimed the artifacts reveal four distinct Heaven to Earth movements: long periods of attempts in history to perfect the human condition that failed miserably. Gowans points out that one major and successful underlying theme of American popular culture is a reaction against the last (or current) H to E movement - that being of universal love and total egalitarianism. This also pits popular art against modern art. Gowans believed that traditional art had four basic functions, which today operate in the popular arts, but not in galleries of art. In the 1970s Gowans had many followers and inspired many students when he taught at the University of Victoria. However, he was despised by the contemporary art world and other historians, so much so, that mentioning his name could be detrimental to my artistic career in Canada.

You might ask, how and why would I attempt to pack such big concepts into a children's picture book? Because it sounds like a challenge, the risk is low, and it would be fun. Gowans' ideas, and some of my own, will appear like signposts within the story. So, The Girl from the Moon can be seen as an introduction to big concepts with little pictures. This is Low Art with a pretense to be High Art, with some Fine Art influence. If I can pull it off, this book could work as an entertaining adventure book, and as an introduction and celebration of history, art history, and the primary functions of art that have existed for thousands of years.

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